

Paperback: 160 pages
Publisher: Fantagraphics (June 15, 2011)
Language: English
ISBN-10: 1606994107
ISBN-13: 978-1606994108
Product Dimensions: 6.9 x 0.5 x 10.3 inches
Shipping Weight: 15.5 ounces (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (3 customer reviews)
Best Sellers Rank: #1,429,758 in Books (See Top 100 in Books) #613 in Books > Comics & Graphic Novels > Publishers > Fantagraphics #1074 in Books > Comics & Graphic Novels > Biographies & History Graphic Novels #1915 in Books > Comics & Graphic Novels > Graphic Novels > Literary

If you're not yet familiar with the comics of Lewis Trondheim, you probably should be. One of France's top creators, Trondheim's work is just starting to regularly appear on these shores. Two series dominate his American appearances: the Dungeon graphic novels with Joann Sfar and other collaborators; and his autobiographical travelogues, Little Nothings.Both of those series are published by NBM, but for many years prior to Dungeon and Little Nothings, Fantagraphics was Trondheim's American publisher, most notably with the black-and-white series The Nimrod, which ran 7 issues from 1988 to 2003.I only discovered Trondheim a couple of years ago, so Nimrod slipped under my radar, just as it did with too many US comics readers. Luckily, I found a few of the back issues this past winter, and they're great. One of the highlights was a series of autobiographical stories that looked at Trondheim's roles and misadventures in the Franco-Belgian comics scene. Those tales, along with a few chapters that have never appeared in the United States, are now collected in Approximate Continuum Comics.If you've read Little Nothings, you know that it is comprised of one-page vignettes, beautifully executed in watercolor. Approximate Continuum Comics is much earlier work (first drawn around 1993 and 1994), so it's looser, rougher, and not quite as developed artistically. It's also a deeper story, chronicling an important phase of Trondheim's life. These were the years he made his real leap from self-published upstart to internationally published superstar.It's a wonder how he got there. Trondheim (as depicted by Trondheim) is a mass of neuroses and tics. He's full of self-doubt and more than a little bit of anger.
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