

Lexile Measure: AD570L (What's this?)
Hardcover: 40 pages
Publisher: Disney-Hyperion; Gift edition (October 30, 2014)
Language: English
ISBN-10: 1423178653
ISBN-13: 978-1423178651
Product Dimensions: 9.6 x 0.3 x 11.3 inches
Shipping Weight: 14.1 ounces (View shipping rates and policies)
Average Customer Review: 4.8 out of 5 stars See all reviews (72 customer reviews)
Best Sellers Rank: #71,264 in Books (See Top 100 in Books) #14 in Books > Children's Books > Sports & Outdoors > Winter Sports #270 in Books > Children's Books > Growing Up & Facts of Life > Friendship, Social Skills & School Life > Boys & Men #278 in Books > Children's Books > Growing Up & Facts of Life > Family Life > Values
Age Range: 4 - 7 years
Grade Level: Preschool - Kindergarten

Author-illustrator John Rocco has a penchant for disasters, having previously found Caldecott Honor success with Blackout. As a fellow survivor of the Blizzard of '78, I was eager to see and read John's recollection of that famous storm. The amazing thing about the blizzard is that it didn't snow for very long. Maybe just parts of two days? But the volume of snow was tremendous. I had no clue as a youngster, but evidently there is a simple scientific explanation. Because the storm occurred during a new moon and a very high tide, virtually unlimited water was available to turn into snow along the New England coast. Then, high winds gusted snow drifts against houses, covering doors and windows. It may seem like a fairytale now to children raised in the digital age, but in the pre-cellphone era with downed power lines, entire neighborhoods were cut off from civilization. We weren't parents then, so why worry? Lots of snow and no school!Rocco gets the time and place just right, especially home decor. Pay attention to the small nods throughout: the cash register, for example, and also the mantlepiece (though perhaps the recliner lever should have changed positions?). Rocco's illustrations evoke a simpler age, when families spent time together because there was little else to do. That was certainly true in Blackout, and I think the Norman Rockwellesque quality of his artwork is even more pronounced here.
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