

Paperback: 144 pages
Publisher: Dover Publications; Unabridged edition (July 21, 2010)
Language: English
ISBN-10: 0486475638
ISBN-13: 978-0486475639
Product Dimensions: 5.3 x 0.5 x 8.2 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review: 5.0 out of 5 stars See all reviews (5 customer reviews)
Best Sellers Rank: #299,318 in Books (See Top 100 in Books) #90 in Books > Christian Books & Bibles > Literature & Fiction > Poetry #278 in Books > Literature & Fiction > Poetry > Themes & Styles > Epic #403 in Books > Literature & Fiction > British & Irish > Poetry

I'm fit to judge this book neither as poetry nor as history, knowing beforehand something of only one character in the ballad - King Alfred. But next time to Oxfordshire, I now plan to visit the white horse.I also know something of Chesterton. As one of his works, Ballad of the White Horse seems both typical and unusual. It's typical in paradox, romantic Christianity, and the deft use of chalk to boldly sketch a few simple strokes that define a figure, without too much concern for detail. (The chalk in this case is the Uffington White Horse, which Chesterton cheerfully moves to Wiltshire, where the battle probably took place. A big piece of chalk to draw with, but Chesterton was a big man.)Chesterton's philosophy of white chalk, as described in an essay on the subject, (where he also talks about drawing "the soul of a cow") may help explain this poem:"But as I sat scrawling these silly figures on the brown paper, it began to dawn on me, to my great disgust, that I had left one chalk, and that a most exquisite and essential chalk, behind. I searched all my pockets, but I could not find any white chalk. Now, those who are acquainted with all the philosophy (nay, religion) which is typified in the art of drawing on brown paper, know that white is positive and essential. I cannot avoid remarking here upon a moral significance. One of the wise and awful truths which this brown-paper art reveals, is this, that white is a color. It is not a mere absence of color; it is a shining and affirmative thing, as fierce as red, as definite as black. When, so to speak, your pencil grows red-hot, it draws roses; when it grows white-hot, it draws stars.
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