

Series: Showa: A History of Japan (Book 3)
Paperback: 552 pages
Publisher: Drawn and Quarterly (September 29, 2015)
Language: English
ISBN-10: 1770462015
ISBN-13: 978-1770462014
Product Dimensions: 6.4 x 2.2 x 8.9 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #153,977 in Books (See Top 100 in Books) #12 in Books > Comics & Graphic Novels > Manga > Educational & Nonfiction #36 in Books > Comics & Graphic Novels > Publishers > Drawn and Quarterly

Manga master Shigeru Mizuki's "Showa" series exemplifies the melding of memoir, history and comics. Its vast scope, comprising four large volumes in English, encompasses the entire reign of the Emperor Hirohito, which spanned from 1926 to 1989, the longest rule of any Japanese monarch. From the Chrysanthemum throne Hirohito oversaw some of the most tumultuous years the tiny archipelago nation ever experienced. During that era Japan's government morphed from late Taisho democracy into fervent nationalism, then to proto-fascism, to an all out aggressive military state and finally to the constitutional monarchy that exists today. Though Mizuki named his magnum opus after the Emperor's era, Hirohito himself makes very few appearances within its massive bulk. The story instead integrates Japanese history with Mizuki's own personal history. Both provide fascinating parallel narratives. Drafted like so many others, Mizuki served in the Japanese Army during World War II and miraculously escaped death numerous times. This frequently horrifying story takes up much of Showa volumes two and three. Volume four, the final volume, expands on the years during and following the American Occupation and Japan's "economic miracle." By 1989 Japan had emerged from the shadow of its humiliating defeat into an inexorable economic powerhouse, though Mizuki paints a bizarre and sometimes shocking picture of Japan in the late twentieth century. Many prospered but some prospered more than others. Some suffered horribly.At the end of volume three, Mizuki catches a train to Tokyo, chasing the nascent comics boom. So far his career in Kamishibai has proved mostly fruitless. He sets out to change that. Volume four begins with a discussion of the political climate in the early 1950s.
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