

Paperback: 352 pages
Publisher: North Atlantic Books (June 7, 2016)
Language: English
ISBN-10: 1623170370
ISBN-13: 978-1623170370
Product Dimensions: 6 x 0.8 x 9 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (19 customer reviews)
Best Sellers Rank: #407,930 in Books (See Top 100 in Books) #136 in Books > Literature & Fiction > History & Criticism > Genres & Styles > Comics & Graphic Novels #181 in Books > Comics & Graphic Novels > History & Price Guides #1227 in Books > Comics & Graphic Novels > Manga > Science Fiction

“An Interesting Look At One of The Giants of the Comic Book Industry.”Growing up during the so-called Golden Age of the comic books, I never thought about the men and women behind the comic books I was reading. I discovered Superman, Batman, and Wonder Woman when my parents moved to the big city when I was seven years old; these and others became my escape from reality. My real discovery, however, was Captain Marvel and later, The Marvel Family. As a kid, it was enough that they entertained me, and became a huge part of my reading. I read comic books off and on until 1980 (age 40), when I no longer felt any interest in them. But looking back on my youth, and a media that was so important at the time, I couldn’t pass up this book.Bill Schelly gathers letters and interviews from many of those in the comic book industry who knew Otto Binder, one of the main writers for Captain Marvel and The Marvel Family, and put this biography together. I believe it is an updated reprint of a previous edition, with added material. Whatever the case, the author gives us a behind the scenes look at the man and his craft, the good times and the bad, and not only what the industry did to him, but what decision he made that proved disastrous, as well. Otto Binder entertained millions of kids for over thirty years. Beginning his writing career in science fiction pulp magazines, where little was published of literary quality, it sparked his ambition to become a writer. Not many of his pulp stories rose above the rest of the early junk being published, but his Adam Link stories certainly fascinated the readers and other media of the day. Going into comic book writing was better pay for less work, and his output became a herculean affair.
If you are a Captain Marvel fan, it's possible that you already have this book. Along with artist CC Beck, Otto Binder's name is very closely associated with the heyday of Captain Marvel. And, while not necessarily the first name you'll think of in connection to Superman, Binder helped add or develop many "Marvel Family" -style touches to the Superman comics of the 1950s which included Supergirl, Krypto the Wonder Dog, Superboy, Brainiac, and a fleshed-out cub reporter named Jimmy Olsen.If you're not a Captain Marvel fan but are interested in lowbrow popular American fiction from the mid-20th Century, there is a lot in this book you're going to love. Otto Binder started his career writing science fiction for the same weird pulps that HP Lovecraft and Robert E Howard lorded over in the 20's and 30's. Then, in the wake of the seismic pop culture shift that Superman began, Binder moved over to comic books. After working throughout the Golden Age and much of the Silver Age of Comics mainly in superhero and horror comics, Binder reinvented himself as a popular science writer (mainly for children). And as the 60's progressed, Binder hitched his paperback writing wagon to the flying saucer craze by writing both straightforward documentary about UFOs and wilder speculative stuff cut from a "Chariots of the Gods" cloth.While most of this book is a loving and affectionate portrayal of a popular writer with a very long commercial career, author Bill Schelly is not afraid to paint his subject in a fair and evenhanded light even if what he writes is sometimes unflattering. Schelly pulls few punches in describing Binder's alcoholism, and is not afraid to offer negative critical opinion regarding much of what Binder wrote outside of the comic books.
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